dispatches from terra incognita

Tag: 25-28mm Page 2 of 5

And now for something completely different …

Plodding along as I do with my various projects, I am frequently struck by novel inspiration as work becomes tedious. Thus, while immersed in painting my 54mm artillery, I suddenly became quite certain that it was the perfect moment for me to finally try Blood Bowl. Now, as with everything Games Workshop, those box games run a little pricey. Alas, inspiration had not chosen a pecuniarily prudent moment to appear …

However, I’m usually pretty skilled at converting lemons to -ade. I had simultaneously been hankering to try some of Matt “GrayMouser65” Kirkhart’s 28mm fantasy wooden craftees, as featured on Dale Hurtt’s blog Wooden Warriors.

Now inspiration had foundation — I could craft as many Blood Bowl teams as I like using little wooden bits. I had to scour Matt’s posts to determine what he used and where he got ’em. I then had to find a source for everything — both Michael’s and AC Moore seem to have cut back on many of these items. I relied on the internet and patience.

I elected to do goblins first, being particularly tickled by Matt’s latest “hunchback” brutes. Construction followed his guidelines, with tile spacer feet (barely visible here), spool torso, half spool for the shoulders, half bead for the head, and tile spacers again for ears and arms. A few chaps got adornments, such as toothpick spikes, and one poor fellow had a hook hand. Another got a “saw” hand, fashioned from a bead. I sanded the torso spool of my two running backs to give them a feeling of motion, despite their feet being together.

I’m not at all familiar with the Blood Bowl rules. After making my team, I was dismayed to discover that, apparently, the goblins don’t have quarterback or receiver types. I may be adapting the rules, or else using the Monsters of the Midway fantasy football rules from Dragon Magazine #65. For example, I may use Heroscape hexes for the playing field rather than a squared grid.

The final step will be to paint numbers on the boyz. I’ll be using the “classic” system from the 70s, with 1-20 reserved for the quarterbacks (and kickers, I suppose) and wide receivers wearing numbers in the 80s, as is right and good. 

Buildings from the Big City

Here are some shots of the first three, very-nearly-done, buildings for my 25/28/32mm figures.

(Note that the spread for the miniature size is due to the fact that I didn’t realize that the Reaper Bones figures would be so tall. All of my metal figures are closer to 28mm, so these new plastic chaps tower over them!)

IMG_1326This is the building based on the old Games Workshop template. (I showed its 15mm cousin in a previous post). I made adjustments during construction because I followed some bad advice from the GW plan maker, which, I knew at the time would lead to no good, but I went down the road anyway. The stone bits around the windows and door, as well as the roof, are cast from Hirst Arts molds. It still needs a door and interior detailing. I believe it’s going to be a potion shop.

The next two are based on ideas described by Robert Provan on Matakishi’s website. Robert drew his inspiration from the late, lamented buildings sold by Pardulon. Robert used cork (a la Matakishi), but I opted for good old foam core. The buildings are (theoretically) modular, as each floor is separate and the edifice is stacked together. I’m still fooling around with a workable size. All of these buildings seem a bit large to me — my 4′ by 6′ table will fill up quickly. Another Hirst Arts roof, as well as a chimney built into each floor, which comes apart. That was an experiment and a true PITA, which will not be repeated, methinks.

The offending chimney

This one is supposed to be an “Adventurers’ Guild” or “Explorers Club” type place. I figured the high level characters would return home with “foreign” tastes, so I imbued their headquarters with some exotic touches. The bright color and window trim are Asian-inspired, and the roof is pan-tiled rather than slate. I have an idea for a sign, but I’m not sure how I’ll execute it yet.

IMG_1324The third contestant is also copied from Robert. This time I wanted a Hirst Arts stone ground floor. The trouble I’ve found with Hirst Arts is that in order to get any usable interior space, one has to make buildings so big. The footprint on this one is 3.5 by 5 inches, and 2.5 inches tall (the floors on the red building are 2 inches). This one will be a shop.

While I’m constructing these for a fantasy city, they should be able to find a place on Isla Victoria (my VSF setting), some colonial outpost, a pirate town…

Paint Table Annex

One of the great joys of my day is chatting with my wife as she prepares dinner. Cooking is her hobby, as miniatures (and guitar and carpentry and farming and sailing … oh, well, perhaps I have too many hobbies) are mine. The results of her work are impressive and delicious, and our boys and I gratefully partake.

The kitchen has a counter with bar stools and I often set up a little “painting annex” to keep my hands from being idle. One will note the 2oz. craft paint bottles. I do use the palette occasionally, usually when painting something large, like a terrain piece. I believe it was one of those You Tube terrain guys who I saw dipping paint out of the paint bottle tops, so I acquired the habit. Give the bottle a hearty shake before opening and there’s usually more than enough paint on the inside of the top. The light was rescued from the piano when it was donated to a good home; it is tucked behind the basket of napkins during the day.

On the table are some Reaper lasses. I sense that they are a bit uneasy, though, as the 15mm VSF bug has bitten, and three GASLIGHT units of Irregular Miniatures British have invaded the main paint table upstairs.

Poking around in the GULP also unearthed my Blue Moon “Missionaries, Explorers, Victims and other White Folks” who will likely force their way into the queue as well. I was also shocked by the quantity of Pendraken 10mm colonial and WWI figures I fell pray to years ago. All primed, a smattering painted. I had dreamed of a Warmaster-based VSF game. I later purchased Black Powder, which is along those lines, though intended for individually based minis. I might be back to Warmaster.

A Town in Two Scales

Should you have examined my brain a couple of weeks ago, it would have seemed evident that the “28mm” synapses were firing perfectly. A smattering of the many, many Reaper Bones I now own were being painted, and I was even constructing some appropriately-scaled buildings and terrain. I noticed, but successfully defeated the urge to throw in for, the Dwarven Forge City Builder kickstarter. I was already hard at work on some Hirst Arts/foam core hybrids (which we shall examine anon).

Alas, the rent was beyond my means

High from this victory, I unfortunately rode smack into an ambush. 15mm.co.uk announced a preorder for a quintet of absolute lovelies… resistance was futile. My rationale for parting with money was that I do have a bit of a collection of 15mm figures already painted and ready to play. The buildings can be used for fantasy (?), pirates (got ’em), pulp and VSF (umm…, YES!). So, despite no email confirmation as of yet, the line-up you see below ought to be winging its way over the pond to me.


Upon arrival, they’ll join the nascent collection of 15mm terrain I began cobbling together in younger days. For years, I scoured the interweb for plans intended for oh-so-popular 28mm miniatures and rescaled them for my own nefarious purposes. These two beauties on the right were based upon plans plundered from the old Games Workshop website (back in the days when they tried to help one to learn, rather than to help one to spend). Even shrunk, I still think I made ’em too big — they’ll dwarf the compact accommodations from 15mm.co.uk. I also should have devoted more time to that thatch. It looks like a lovable mop top.

In the early years of the current millennium, Gary Chalk ran an online shop called the Little Grenadier. He endeavored to sell his plans for wargames buildings directly to people online, rather than having them published in Wargames Illustrated. Well, he tired of this after awhile and shut down the store. The simple cottage above was one of the plans, reduced to house 15mm peasantry.

The vignette above (one of my favorite things that I have ever built) was from Gary’s Pirate Buildings plans in Wargames Illustrated. In my VSF setting of Isla Victoria, Tudor and pirate architecture will stand proudly side-by-side.

Finally, the last one should look familiar to old-school grognards. This would be the 15mm version of Pasha Ali’s fortified palace, originally created by David Helber, also known as Major General Tremorden Rederring. The wily Major General didn’t provide plans for this one, so I had to reverse engineer from looking at the photos on his website.

My point is, then, that I have the makings of a great fantasy or VSF town in two scales. Maybe others of you share this sickness?

Our next episode will feature the larger scale buildings upon which I’ve been laboring in 2015.

Jumping the Queue

Paint Table Saturday features flagrant queue jumpers. Looking back yesterday at A) the Major General’s page and 2) my aged stage-set mountains, rendered me nostalgic for VSF and afflicted with remorse for my long-suffering 15mm figures. As things stand, I can muster a respectable force of British. In the back of my mind, however, I was certain that somewhere there existed some Irregular Miniatures Pathans, neatly stored but inexcusably denude of paint. A brief ruffle through the boxes and my quarry was in hand.


Reaper Bones have fallen into heavy rotation ’round these parts, and thus many moons have passed since I’ve tackled 15mm metal. First off, I was grateful that Irregular parted with so much lead for my dollars. Too bad for me that only about half of it was in the shape of figures and the balance was a nuisance known as “flash.” A solid 30 minutes with an Xacto knife cleared up that condition. A dollop of 2-part epoxy and they were firmly grounded on a washer. 3 packs of 10 men, three poses: firing while standing, firing while kneeling, and runnin’ at ya with a big sword. My new-found painting courage will soon render these chaps “ready for battle.”

However, the Afghanis were superseded in ill manners by a ragtag band from Mordheim. I bought the box set years and years ago, snipped everything off sprue, and stored it with customary anal retentiveness. The major barrier to their progress was the fact that they were all in little pieces. If you haven’t yet encountered that vintage of plastic figure, you get a bunch of legs, torsos, arms, heads, and weapons; Games Workshop awards one the privilege of cobbling them together using malodorous cement. While I had already suffered through assembling the Skaven, the human fellows remained in pieces.

Just behind my brush-washing jar in the paint table picture one might spy a nifty Testors Model Master Liquid Cement Applicator which, quite truly, is the bee’s knees. (Another of my hobbies is beekeeping and I don’t know what that really means…). When I discovered that cool glue bottle at Michael’s, I resolved that I could finish those fellows. And so, assembled is a band of what I think are called “Marienbergers.” I don’t think I’ll paint them just yet, but who knows?

Finally, below you see a shot of the stalwarts who were leaped over in line. I think what’s holding me back with the Woodland Warriors is that most animals are grayish-brown so I’m afraid that they’ll all look the same. Mixed in are a couple of Bones I lasses (Henceforth I’ll have to distinguish Bones I and II, as my box arrives Monday) and a Night Goblin from the Battle of Skull Pass set (which I also bought and which is largely naked…).

Gaming Table

Building a gaming table is a daunting endeavor. If one has yet to accumulate a lot of wargaming experience, he has to imagine what “features” a table should have in order to make gaming more enjoyable. Lumber and time are both valuable these days. I didn’t want to expend too much of either to create something that wouldn’t work for me.

I embarked upon the project in the usual manner, by poking about the internet to see what others had done. I uncovered a few intriguing possibilities. The one to the left (which I unearthed here) boasted the benefit of being simple, sturdy, and a bit of storage as a bonus. The castors are a nice touch, though in the location I have available, there won’t be much wiggle room. Two-by-fours and plywood are easily obtainable and I had my eye on that shelf for the plethora of banker’s boxes filled with the terrain I have constructed through the years.

66940_sm-table design_1

I thought a lot about this theoretical one (I didn’t find evidence that it was ever built), discovered  here. It looked very sturdy (it would also likely weight a ton), had storage, and was expandable, which would be a big plus in my limited space. I already had modifications envisioned (I think you’d need two fold out legs on each side to keep the extension wings from sagging at the corners, for example). I may come back to this design at some point.

The final contender (found here) had the most to recommend it. First off, the builder provided a nifty tutorial, complete with a list of materials and shots of construction in process. The design was simple and didn’t use too much lumber. Storage could be created by attaching a couple of shelves to the legs (which would also make it sturdier). The best part was that the top was customizable one could swap out the boards. So, I could have a flat surface and place a game mat over it; use painted and/or flocked boards, or create custom, modular terrain. Plus also, the little slide out tables were adorable…

It’s also usual for me not to stop and take pictures, so I don’t have a single shot of my building process. You’ll have to settle for the table, more or less complete.

Here’s the “skeleton.” The legs are standard 2×4 pine from Home Depot. I used two boards joined at right angles for each leg (unlike the original) to make them appear a bit more finished, and perhaps to to make them more sturdy (Hirst Arts buildings are dense). I also added a storage shelf below. There were originally two, but a corner tore out of the upper one. (I was so inspired after taking these pictures that I repaired the upper shelf). The top is made with pine 1×6 boards around the outer edge and 1×4 boards for the internal bracing.

The table top is 4 by 6 feet. The bracing is recessed about two inches so that I could use 2″ pink foam and carve rivers, canyons, trenches, pit traps, and whatnot. I haven’t done any of that yet; I currently use three 2 by 4 foot pieces of 1/2 inch MDF to make the table top. Here’s plain grey for dungeon delving and urban set ups. I plan to paint the backs of these black for asphalt. I have another set of boards that are tan for colonial combat and Lost World exploration. The reverse is blue for watery warfare. I have a piece of 1 inch foam beneath the boards now, which raises the surface closer to the table edge.

This is a thrown-together set up of Pirates of the Spanish Main terrain, including some closeups of some islands. The top of the lighthouse is in need of repair.

IMG_1222 IMG_1228

Here we have the table with my homemade grass mat, which is an unholy union of a bed sheet, copious tubes of caulk, and much, much flock. That beast has been a botheration and will likely need to be redone. I followed a tutorial I found on the internet, but didn’t “roll” the flock into the caulk, and so it sheds worse than my cat. I made it large so that I could place “hills” underneath. Here it is untucked and tucked. The slide-out “tables” (as per the original) are intended for rule books, record sheets, beverages, &c. The wrinkles are exceedingly difficult to disperse, thus annoying me to no end.


Finally, here’s a little tableau starring my first-ever Hirst Arts building (the “Wizard’s Tower”) with some allied Reaper and Warhammer skeletons facing off against the Reaper goblins I painted earlier this year. The observant will notice honest-to-goodness Major General Tremorden Rederring stage-set mountains in the distance. Comprised of cardboard with crumpled up brown paper shopping bags glued to the front. There are little platforms on the back so that snipers can perch amongst the rocky crags. These were among the first terrain I scratch-built, round about a dozen years in the past. The “sky” is the actual wall of the room (the color is called “Cerulean” which, I believe, means, “looks just like a nice, blue sky in pictures”). I may have to paint some clouds on it…

A Parable…

This is a parable concerning craft paints, real guitars, and pretend pianos. I wrote a bit in my essay on the GULP that I paint both terrain and miniatures with inexpensive craft paints. This wasn’t always the case.

When I was new to the hobby of collecting and painting miniatures, I did a lot lot of research online. Rather than serving as inspiration, all those meticulously painted miniatures served as intimidation and generally hindered the process. I started out buying Testors acrylics (because those were available at my local hobby shop, Hungates) but soon fell under the spell of Æheric fiends asserting that only Games Workshop pigments were worthy. But nothing I painted with those expensive paints looked like those I saw online.

I eventually stopped painting miniatures entirely, focussing instead on terrain, which, of course, I daubed with craft paint from Walmart, Michael’s, and A.C. Moore. When I embarked upon the Square Pegs project, it seemed obvious to use craft paints, as those cylindrical warriors boast a lot of surface area. Plus, for awhile there, GW kept changing around their paint names, pot types, and generally confused me. When the big box o’ Reaper Bones arrived all bendy-plasticy, craft paint kept flowing.

Now, if you’re wondering, or just bored, this is when I get to the parable part with musical instruments.

For way longer than I’ve collected miniatures — about 30 years, in fact — I’ve played guitar. Or rather, I’ve attempted to play guitar;— I am an auto didact, not a particularly perspicacious one, and it took me about 26 years of making noise to realize that it’s difficult to teach yourself how to do something that you don’t know how to do…

So, I carried my son for guitar lessons for a year or so, and worked up the nerve to take some myself. My teacher was a professional musician who had been involved in jangle-pop music in the 80’s North Carolina music scene, contemporaneous with rise of R.E.M. His band wasn’t similarly successful, but he loved to play guitar, so he made a life of working in the studio, teaching guitar, and playing in local bands. His especial gift is a connection between ears, brain, and fingers. In addition to the encyclopedia of songs he knows, he can simply listen to a song, figure out what the guitarist is playing, and transcribe it for the student.

Back in the 80’s, I had a serviceable guitar purchased by my parents. But I too was under the spell of the young R.E.M. and decided that an expensive electric guitar would certainly improve my playing. I got a bank loan (!) to purchase a Rickenbacker 330, which cost the equivalent of $3700 in today’s dollars (!). The short and obvious conclusion to this part of my tale is that this dear beauty didn’t bring me any closer to Buck. I was just a lousy guitarist with an expensive axe. I’ve collected a few more here and there, and as recently as a few years ago bought a Squier Telecaster (at least I didn’t bite for the real deal) because I thought that would make me better… [Since writing this, I traded up the Squier for a made in Mexico tele.]

The main guitar I practice on to this day is that serviceable Yamaha dreadnought bought for me by my parents circa 1984. One afternoon, my teacher Brad was adeptly unravelling some tune for me on his beat up, Willy Nelson-looking classical guitar, and I fumbled along behind pathetically. Bothered by some sort of string buzz emanating from my guitar, he asked if he could play it for a moment. Music erupted like you hear on the radio. There was still some sort of buzz owing to the vagaries of 30 year-old frets, but he could minimize it by how he held his fingers.

Some days later, while painting clothespins to look like 19th century Victorian soldiers, I was visited by epiphany. Brad sounded great on his old practice guitar, he sounded great on my middling Yamaha, and he sounded great on his expensive Les Paul; he is a gifted musician and would sound great on a tissue box with rubber bands stretched across it. He is a living equivalent of Schroeder in Peanuts, who can coax classical music out of a piano with the black keys painted on.

Great miniature painters can go on for as long as they like about the necessity of expensive paints, but I’m fairly certain they could knock out superb work with daubs of mud and a stick. I’m not saying that only a gifted few can do great work;— rather, that the amount of practice one puts in trumps the quality of the tools.

So, I plan to plod on with craft paints and an inclination to improve my technique. I won’t try anything too hard; I’m satisfied with a base coat and shading with future wash. After 20-odd years and a modest accumulation of guitars, I have learned to Travis pick and can sound like a coffee house folk singer should I want to. In all of my hobbying, I attend to people who have practiced more than I (and are likely more talented than I), incorporating what I can.

Ruined Gothic Tower

While trolling in the Hirst Arts forums for inspiration awhile back, I ran across an interesting post. Someone was wishing for new plans of things to build with Hirst Arts blocks and someone else suggested taking existing projects and building them with blocks from different molds — using “gothic” blocks for a “fieldstone” project, for example.

Well, financial reality being what it is, I’d been stopping myself from purchasing the molds necessary to build the Ruined Fieldstone Tower. But, I had a plethora of gothic molds. I studied the tower plans and decided to try a new take on this project.

Laying blocks out on the plans, I began to see the challenges. Some of the fieldstone pieces — the arches in particular — did not have gothic analogues; at least not on any of the molds I owned. And I would have to make the “ruined” bits myself. Because of the random nature of the fieldstone pieces, Bruce used a lot of butt joints between walls that would look funny with regular gothic blocks.

I used Bruce’s plans as a starting point and made up the rest as I progressed. All of the corners had to be joined like a regular building so that the blocks would be properly staggered. Some of the arches could be replicated, but others had to be fabricated with extra “little” bricks glued on. One final vexation was the bit I chose as the top and bottom of the columns. It was a piece from the Gothic Church that, too bad for me, was only on the mold once. So, I had to cast that little piece about 2,000,000 times to finish the project.

The part I thought would be fun (but wasn’t so much) was ruining blocks for the top edge. They were carved up easily enough with an Exacto knife or box cutter, but I fussed endlessly to get it to look like “natural” destruction.

Bruce added a tree to the little well/pool in the courtyard, which looked suitably dramatic and spooky, but I thought it might make it hard to maneuver figures in an already cramped space. I opted for some stones and murky water.

When I set to work on the base, it hadn’t occurred to me that I could’t really do the “gothic” gray paint job, as that was how I had painted the tower. So, I used his “earth tones” — the colors he uses for fieldstone buildings. I don’t love it for stone, but I needed some contrast. I also wasn’t convinced by his tutorial on how to carve foam to look like rocks. I did a bit under the tower itself, but the rest in my usual, hurried manner. In the photographs, I don’t mind his method, though, so I may try it again in the future.

I did finally get the fieldstone mold for Christmas (but not the one with the ruined bits, so I still can’t do the original tower), so you might notice I added the skulls. I’m not sure if they are quite the thing, but… One might spy a gargoyle perched upon the column to the right of them. Him, I like.

All it needs for completion is some drab greenery. I’ve got suitable flock; Bruce used “coarse turf,” which I have too, but mine is bright and cheery and would ruin the mood. I’ll get the right stuff and then decide.

In the final shots, it appears that the tower has been garrisoned by the self-same jaundiced goblins who debuted on this blog a few weeks ago.


Goblins of the Old School

I submit this little vignette as confirmation that I completed another dozen Bones — “Dungeon Attack” goblins, this time; compadres of the kobolds I knocked out last week.

IMG_0425Following Chris Palmer’s lead, I eschewed green and sought guidance from my venerable 1/e AD&D Monster Manual: “Goblins range from yellow through dull orange to brick red in their skin color.” Chris chose orange, so I bit for yellow.

I used a limited palette of midnight blue for the clothes, yellow skin, brick red for the Hittite hats, and gold for the weaponry. (For some reason, all my bad guys wield gold, while the good guys prefer silver…). So, when they all showed up for a skirmish in my gothic dungeon, they were particularly irascible because they had all worn the same dress. Oh, well… at least one can see they’re all on the same team.

I’ll also make mention that I’ve gone almost entirely over to craft paints now. I have a post percolating concerning my evolution as a mediocre painter. The short version is that I used to be a so-so painter using expensive paints, now I’m a comme ci comme painter using paint I buy at Walmart.

Paint Table Saturday + 24

Here’s the paint table as of yesterday. A frenetic hodgepodge mirroring the mind of the painter (but not really in that good creative way, more’s the pity).

Scattered about you see several Hirst Arts pieces in various states of completion. The kobolds from earlier could still be found still skulking about, four or so rebased Heroclix, and the primed chaps and chapettes to the right are Foundry Darkest Africa.

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