This purposely portentous category will be a catch-all for the occasional gleanings of guidance I run across on the web. I’ll begin with two nuggets of wisdom that have guided me for years, and one that may guide me in the future.
The first comes from a foundational text of my wargaming: viz: David Helber’s Major General Tremorden Rederring’s Colonial-era Wargames Page. Mr. Helber formed and continues to shape my aesthetic sense of how a properly laid-out wargames table should appear.
In miniature gaming, structures should be as small as they can be without looking ridiculous.
David Helber, Building Construction for Colonial Wargaming, Major General Tremorden Rederring’s Colonial-era Wargames Page
The Major General’s site is a treasure trove of inspiration and counsel. I have printed out most of the pages, gathering them in a binder for perusal. I’ve read that some gamers use buildings of one scale smaller than their figures. That makes sense, but to my eyes, seems too board-gamey. If you look at David’s structures, they look appropriate next to the troops, but you can fit more of them on your table. And, they’re easier to store. I’ve loved the mdf stuff I purchased from TT combat, but, good golly, those are immense.
The site that likely persuaded me to begin collecting 15mm (really 18mm) figures, lo those many years ago, was Bryan Brooks’ DyeHard’s Victorian & Edwardian Science Fiction page. In addition to his Helber-like tutorials and guidance, Brooks freed me from the shackles of “dead matte” miniatures. No matter the make of spray varnish I used — including the venerable Dullcote — my figures always retained a bit of a shine.
Bryan used the stain method of dipping, rather than my Chick Lewis Future Wash, but the final appearance is similar.
I was very skeptical about this dipping method at first, but now I love the effect. I have even grown to love the candy coat shine over time. I use to be a dead flat paint kind a guy, and one could go back a spray on a layer of Dull-Coat to reduce the gloss effect. After mounting the figures on bases and adding some grass flock, I do give them a quick spray to cut the shine just a little. Beyond the shading effect, the dip also will provide a very strong protective coat over your paint job.
Here you can see how the technique brings out the details like buttons and metals on a figure, while adding shading to folds in the uniform. Also, despite the focus, you can see the contrast of the dead matte paint of [the] side of the landship and the gloss of the figure. To my eyes, it makes the figure look more animated. [Emphasis added]
Bryan ” Dyehard” Brooks, The Dip Method of Shading, 15mm VSF
And I just have to agree with Mr. Brooks. The slight glow evinces each miniature’s élan vital — the spark of life.
Today’s final bit of philosophy was shared recently by a miniature painter whose work I admire: Chris Palmer of All Bones About It. Chris has been intrepid in his endeavor to paint all the figures in the Reaper Bones I Kickstarter, and subsequent editions as well. He’s been unfailingly generous in sharing details of his process, decisions, and techniques. I only began painting eyes following his tutorial.
Lately he mused after completing some unsatisfying gnomes:
Well, there they are. They turned out okay, but my heart wasn’t in them. I have decided life’s too short for me to paint stuff I really don’t like, so the remainder of the set, is going in my sale/trade box.
Chris Palmer, All Bones About It, Monday, September 21, 2020
This one remains more of an aspiration than a practice for me. I have 1 gazillion unpainted metal and plastic miniatures, including most of ALL OF THE Bones kickstarters … [sigh]. I’ve painted more than ever while working from home during the pandemic. Some miniatures I like, some I grow to like while painting them. Some I don’t like at all, but I soldier through … The lesson of my Warhammer boxed set keeps me from giving them all away, though — it took me 15+ years to realize I did like those figures. And, it doesn’t cost me anything to store them.