The long-awaited parcel from Hasslefree (last mentioned here) arrived, all ordered figures present. On a whim, I checked again on the site an, lo and behold, Daphne and Velma were back in stock. So, I expeditiously ordered them, along with another go ’round of the whole Mystery, Inc. team (standard and post-apoc) so that I could paint them up for myself. They arrived in reasonable time, so it had been the holiday mail holding up things in December. The figures are a joy to paint — I’m hewing as close to the iconic livery as possible.
And so, my younger son’s gift was complete — just a few months after Christmas.
I also finished my elder son’s girlfriend’s gift — the duo from Supernatural:
I wanted them to have a monstrous foe; a little research turned up a “scarecrow” as a serviceable villain. They don’t look like that in the show, but this chap was one of my countless Reaper Bones, now gone on to a better home. (The next edition of Bones — is it 5 now? — was promised for this month, but likely won’t make it until May. Which, of course, is just as well, as I have to many yet to paint from the first four … )
The very first minis I purchased in my adulthood were a passel of western figures from Monday Knight Productions. They turned out to be a mixture of 25 and 28mm, as I really didn’t know the difference then, and the site doesn’t seem to differentiate. This was nearly 15 years ago, and these wee desperadoes formed the core of my Great Unpainted Lead Pile, or GULP, which also happens to be the sound I utter when I behold its vastness.
Soon thereafter I became enamored of colonial and VSF figures, andÂ made several big purchases from Wargames Foundry, both the Darkest Africa and Western ranges. I think I may have acquired some Old Glory Pirates next (which, I just realized, invalidates my claim a few days back that Mega Minis civilians were my first post-70’s FLGS miniature purchase; I plundered the OG scurvy dogs from the dearly departed War Room in Atlanta).
Falling under the spell of 15mm VSF, I was able to increase the numbers of figures I purchased for the same amount of money. I became an enthusiast for Irregular Miniatures, which remains, I believe, an acquired taste. Reading Wind in the Willows and Redwall to my little boys resulted in a fewÂ strategic buys from Splintered Light (those little boys are both teenagers now, one poised to leave for college; the armed mice remain bare metal). With lamb-like dutifulness I followed internet advice to purchase boardgames (Descent, Battle Lore, Super Dungeon Explore) for more figures. I fell hook, line, and lead sinker for the 10mm craze, thinking that 5mm less to paint might get things going. Then the Reaper Bones Kickstarter ambushed me.
I should note that during this 15 year period, my rate of purchasing far exceeded the rate of painting. Among many curses of the internet is that innocent eyes are exposed to examples of painting skills that far exceed one’s own. No matter how many tips and tutorials I read, my little people never ended up looking like those gorgeous models online. Oh, I could slap a coat of paint on the Irregular fellows, as the usual comment one hears is that “they look disappointing out of the box, but paint up nicely…” But those ladies and gentlemen from the Foundry were expensive and the examples online are so pretty… So, they languished among many others in the GULP. (As you may have detected in the above list, the GULP comprises plastic as well as lead, and, when you think about it, probably contains no lead at all, as I don’t think they use that anymore).
Now, I’m also thoroughly fastidious as well as avaricious, so, I will make clear, mine was not a messy mass of lead. I washed and ogled each and every figure upon arrival. Some sat out for awhile, perhaps dreaming that they mightÂ be reborn in glorious technicolor. The vast majority were eventually packed neatly away in boxes, bagged and labelled in anticipation of the day when their turn would come.
In fact, I devised quite the system. Minis “at bat” would be scattered about the painting table (of which I’ve had a number through the years). To the left is the current batch, including some Bones goblins, Foundry Victorians, and a Brigade Games Stealth Squad I bought for a reason that is lost to me. There were 12 Bones kobolds there until yesterday evening.
Minis “on deck” are based and likely primed, and I’ve taken to storing them in stacking tupperware containers from Walmart to keep the dust off. Basing and priming is easy and hints at the promise that I might actually work on a figure. So, there are many, many miniatures “on deck.”
Finally, the sad souls “in the hole” are packed in photo boxes with attractive “old map” prints on the outside.
Lately things have become a bit more lax, as the Super Dungeon Explore figures did get primed, and so are theoretically on deck, but are still piled in the box I primed ’em in.
And the Reaper box is just one big overwhelming jumble. (And, yes, lest you worry, the Bones II box is on its way as well.)
Of all things, I spent about a year fabricating my own figures out of clothes pegs, the sordid story of which is elsewhere detailed. I will credit my experience of both the Square Pegs and the Reaper Bones with my painting renaissance. Painting Square Pegs was transformational because, well, in the end, it’s just a clothespin. It’s only gonna look so good. And, though the Bones are festooned with excruciating detail, they are just bendy plastic guys and gals, not the solid metal “clean limbed chaps” I bought from Foundry all those years ago. Somehow, it didn’t feel as serious painting plastic —the stakes were not as high — so I made more headway.
I hope that I will be able to maintain the momentum of productivity initiated on this break. To my credit, I have essentially halted buying new miniatures, out of sheer embarrassment as much as anything, so I guess I’m participating in one of those “Pledges” people talk about. At some point I’ll feel sufficiently positive about my progress and find some new pretties that I can’t live without.
Much like my credit card debt, the GULP keeps me getting up each morning and going back to work.
Hexographer is the thoroughly wonderful program I used to create the map in my header. It comes from the mind of Joe Wetzel at Inkwell Ideas, who also has programs for mapping dungeons (Dungeonographer) and, thanks to one of those successful Kickstarters, entire cities (Cityographer). The programs are Java-based, therefore platform agnostic, free for a basic version, and reasonably priced for an upgrade.