dispatches from terra incognita

Category: Hirst Arts

Spring Update: “Bits & Pieces of Everything”

While things do progress apace on the painting front, I have been a thoroughly lax chronicler of my activity… In addition, I’ve been recalled to the classroom for in-person kindergarten. I have to be grateful — my family remained healthy, employed, and educated. But, alas, my glorious anno hobbyoso has come an abrupt end.

For the past year, I managed to squeeze in an hour — and often twice that — of hobby time daily. I completed a number of “sets” of miniatures, along with odd bits of terrain. I began a Hirst Arts “ruined church” inspired by this one and resumed 3D printing — until the heat bed on my Monoprice Mini finally succumbed to a well-documented design flaw. I even built a battleship, based upon Bob Cordery’s directions.

I picked up the History of Wargaming Project reprint of Joseph Morschauser’s How to Play War Games in Miniature. I love his clear and engaging writing style, but was stung a bit by the lines:

It is up to you to decide which type and scale you prefer. Consider carefully all the advantages and disadvantages of each. Then, when you make your decision and start building up your collection, stick to your choice until you have two complete war game armies. If you start making changes mid-point in your program, you will end up with bits and pieces of everything, and nothing complete.

It is quite possible and perhaps desirable to own a number of different sets of armies, each of a different type, scale, and historical period. Many war gamers do. But collect them one at a time. Mid-point change is costly and wasteful.

Joseph Morschauser’s How to Play War Games in Miniature, p. 21.

The above heterogeneous mess represents a significant portion of my hobby labor over the past year. Some intention and persistence is evident; but also, alas, too much caprice.

The excellent Graham’s Wargames blog is entirely responsible for this flight of fancy. His “canal city” setup was just too, too tempting. The buildings are from TT Combat (I have some modern buildings of theirs) which is acquired through eBay. I’m planning a moire extensive “MDF Roundup” to review my purchases from various companies.

Here’s my Bob Cordery battleship, before painting. He built his by laminating many, many pieces of basswood. I took the measurements and attempted to cobble it together from scraps in the workshop. I’m going to make one or two adjustments on this one, and have another go to see if I can do it better.

The painted miniatures range from some 54s, a lot of 28s (mainly Reaper Bones, Super Dungeon Explore, and Zombicide), to the 1:700-ish ships from the Armada Starter Set. I did my Orc sails in dark blue rather than red (to make them look more raggedy) but I believe it was a poor decision.

I’ll put together a more thorough tour of this stuff in the near future.

The Ruined Tower

Whilst searching for a Hirst Arts ruin that was skulking about in my memory, I uncovered new inspiration. A day or so later, this little crumbling beauty debuted on the table:

Here it is with a skeletal guard, and then with my four D&D B/X heroes:

I cobbled together some scenario objective markers using some old Games Workshop plastic skeletons. A bit of surgery on the pelvises allowed them to sit or lie, suitable splayed.

Ruined Gothic Tower

While trolling in the Hirst Arts forums for inspiration awhile back, I ran across an interesting post. Someone was wishing for new plans of things to build with Hirst Arts blocks and someone else suggested taking existing projects and building them with blocks from different molds — using “gothic” blocks for a “fieldstone” project, for example.

Well, financial reality being what it is, I’d been stopping myself from purchasing the molds necessary to build the Ruined Fieldstone Tower. But, I had a plethora of gothic molds. I studied the tower plans and decided to try a new take on this project.

Laying blocks out on the plans, I began to see the challenges. Some of the fieldstone pieces — the arches in particular — did not have gothic analogues; at least not on any of the molds I owned. And I would have to make the “ruined” bits myself. Because of the random nature of the fieldstone pieces, Bruce used a lot of butt joints between walls that would look funny with regular gothic blocks.

I used Bruce’s plans as a starting point and made up the rest as I progressed. All of the corners had to be joined like a regular building so that the blocks would be properly staggered. Some of the arches could be replicated, but others had to be fabricated with extra “little” bricks glued on. One final vexation was the bit I chose as the top and bottom of the columns. It was a piece from the Gothic Church that, too bad for me, was only on the mold once. So, I had to cast that little piece about 2,000,000 times to finish the project.

The part I thought would be fun (but wasn’t so much) was ruining blocks for the top edge. They were carved up easily enough with an Exacto knife or box cutter, but I fussed endlessly to get it to look like “natural” destruction.

Bruce added a tree to the little well/pool in the courtyard, which looked suitably dramatic and spooky, but I thought it might make it hard to maneuver figures in an already cramped space. I opted for some stones and murky water.

When I set to work on the base, it hadn’t occurred to me that I could’t really do the “gothic” gray paint job, as that was how I had painted the tower. So, I used his “earth tones” — the colors he uses for fieldstone buildings. I don’t love it for stone, but I needed some contrast. I also wasn’t convinced by his tutorial on how to carve foam to look like rocks. I did a bit under the tower itself, but the rest in my usual, hurried manner. In the photographs, I don’t mind his method, though, so I may try it again in the future.

I did finally get the fieldstone mold for Christmas (but not the one with the ruined bits, so I still can’t do the original tower), so you might notice I added the skulls. I’m not sure if they are quite the thing, but… One might spy a gargoyle perched upon the column to the right of them. Him, I like.

All it needs for completion is some drab greenery. I’ve got suitable flock; Bruce used “coarse turf,” which I have too, but mine is bright and cheery and would ruin the mood. I’ll get the right stuff and then decide.

In the final shots, it appears that the tower has been garrisoned by the self-same jaundiced goblins who debuted on this blog a few weeks ago.

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