dispatches from terra incognita

Category: Fantasy

Jumping the Queue

Paint Table Saturday features flagrant queue jumpers. Looking back yesterday at A) the Major General’s page and 2) my aged stage-set mountains, rendered me nostalgic for VSF and afflicted with remorse for my long-suffering 15mm figures. As things stand, I can muster a respectable force of British. In the back of my mind, however, I was certain that somewhere there existed some Irregular Miniatures Pathans, neatly stored but inexcusably denude of paint. A brief ruffle through the boxes and my quarry was in hand.

.

Reaper Bones have fallen into heavy rotation ’round these parts, and thus many moons have passed since I’ve tackled 15mm metal. First off, I was grateful that Irregular parted with so much lead for my dollars. Too bad for me that only about half of it was in the shape of figures and the balance was a nuisance known as “flash.” A solid 30 minutes with an Xacto knife cleared up that condition. A dollop of 2-part epoxy and they were firmly grounded on a washer. 3 packs of 10 men, three poses: firing while standing, firing while kneeling, and runnin’ at ya with a big sword. My new-found painting courage will soon render these chaps “ready for battle.”

However, the Afghanis were superseded in ill manners by a ragtag band from Mordheim. I bought the box set years and years ago, snipped everything off sprue, and stored it with customary anal retentiveness. The major barrier to their progress was the fact that they were all in little pieces. If you haven’t yet encountered that vintage of plastic figure, you get a bunch of legs, torsos, arms, heads, and weapons; Games Workshop awards one the privilege of cobbling them together using malodorous cement. While I had already suffered through assembling the Skaven, the human fellows remained in pieces.

Just behind my brush-washing jar in the paint table picture one might spy a nifty Testors Model Master Liquid Cement Applicator which, quite truly, is the bee’s knees. (Another of my hobbies is beekeeping and I don’t know what that really means…). When I discovered that cool glue bottle at Michael’s, I resolved that I could finish those fellows. And so, assembled is a band of what I think are called “Marienbergers.” I don’t think I’ll paint them just yet, but who knows?

Finally, below you see a shot of the stalwarts who were leaped over in line. I think what’s holding me back with the Woodland Warriors is that most animals are grayish-brown so I’m afraid that they’ll all look the same. Mixed in are a couple of Bones I lasses (Henceforth I’ll have to distinguish Bones I and II, as my box arrives Monday) and a Night Goblin from the Battle of Skull Pass set (which I also bought and which is largely naked…).

Gaming Table

Building a gaming table is a daunting endeavor. If one has yet to accumulate a lot of wargaming experience, he has to imagine what “features” a table should have in order to make gaming more enjoyable. Lumber and time are both valuable these days. I didn’t want to expend too much of either to create something that wouldn’t work for me.

I embarked upon the project in the usual manner, by poking about the internet to see what others had done. I uncovered a few intriguing possibilities. The one to the left (which I unearthed here) boasted the benefit of being simple, sturdy, and a bit of storage as a bonus. The castors are a nice touch, though in the location I have available, there won’t be much wiggle room. Two-by-fours and plywood are easily obtainable and I had my eye on that shelf for the plethora of banker’s boxes filled with the terrain I have constructed through the years.

66940_sm-table design_1

I thought a lot about this theoretical one (I didn’t find evidence that it was ever built), discovered  here. It looked very sturdy (it would also likely weight a ton), had storage, and was expandable, which would be a big plus in my limited space. I already had modifications envisioned (I think you’d need two fold out legs on each side to keep the extension wings from sagging at the corners, for example). I may come back to this design at some point.

The final contender (found here) had the most to recommend it. First off, the builder provided a nifty tutorial, complete with a list of materials and shots of construction in process. The design was simple and didn’t use too much lumber. Storage could be created by attaching a couple of shelves to the legs (which would also make it sturdier). The best part was that the top was customizable one could swap out the boards. So, I could have a flat surface and place a game mat over it; use painted and/or flocked boards, or create custom, modular terrain. Plus also, the little slide out tables were adorable…

It’s also usual for me not to stop and take pictures, so I don’t have a single shot of my building process. You’ll have to settle for the table, more or less complete.

Here’s the “skeleton.” The legs are standard 2×4 pine from Home Depot. I used two boards joined at right angles for each leg (unlike the original) to make them appear a bit more finished, and perhaps to to make them more sturdy (Hirst Arts buildings are dense). I also added a storage shelf below. There were originally two, but a corner tore out of the upper one. (I was so inspired after taking these pictures that I repaired the upper shelf). The top is made with pine 1×6 boards around the outer edge and 1×4 boards for the internal bracing.

The table top is 4 by 6 feet. The bracing is recessed about two inches so that I could use 2″ pink foam and carve rivers, canyons, trenches, pit traps, and whatnot. I haven’t done any of that yet; I currently use three 2 by 4 foot pieces of 1/2 inch MDF to make the table top. Here’s plain grey for dungeon delving and urban set ups. I plan to paint the backs of these black for asphalt. I have another set of boards that are tan for colonial combat and Lost World exploration. The reverse is blue for watery warfare. I have a piece of 1 inch foam beneath the boards now, which raises the surface closer to the table edge.

This is a thrown-together set up of Pirates of the Spanish Main terrain, including some closeups of some islands. The top of the lighthouse is in need of repair.

IMG_1222 IMG_1228

Here we have the table with my homemade grass mat, which is an unholy union of a bed sheet, copious tubes of caulk, and much, much flock. That beast has been a botheration and will likely need to be redone. I followed a tutorial I found on the internet, but didn’t “roll” the flock into the caulk, and so it sheds worse than my cat. I made it large so that I could place “hills” underneath. Here it is untucked and tucked. The slide-out “tables” (as per the original) are intended for rule books, record sheets, beverages, &c. The wrinkles are exceedingly difficult to disperse, thus annoying me to no end.

 

Finally, here’s a little tableau starring my first-ever Hirst Arts building (the “Wizard’s Tower”) with some allied Reaper and Warhammer skeletons facing off against the Reaper goblins I painted earlier this year. The observant will notice honest-to-goodness Major General Tremorden Rederring stage-set mountains in the distance. Comprised of cardboard with crumpled up brown paper shopping bags glued to the front. There are little platforms on the back so that snipers can perch amongst the rocky crags. These were among the first terrain I scratch-built, round about a dozen years in the past. The “sky” is the actual wall of the room (the color is called “Cerulean” which, I believe, means, “looks just like a nice, blue sky in pictures”). I may have to paint some clouds on it…

Ruined Gothic Tower

While trolling in the Hirst Arts forums for inspiration awhile back, I ran across an interesting post. Someone was wishing for new plans of things to build with Hirst Arts blocks and someone else suggested taking existing projects and building them with blocks from different molds — using “gothic” blocks for a “fieldstone” project, for example.

Well, financial reality being what it is, I’d been stopping myself from purchasing the molds necessary to build the Ruined Fieldstone Tower. But, I had a plethora of gothic molds. I studied the tower plans and decided to try a new take on this project.

Laying blocks out on the plans, I began to see the challenges. Some of the fieldstone pieces — the arches in particular — did not have gothic analogues; at least not on any of the molds I owned. And I would have to make the “ruined” bits myself. Because of the random nature of the fieldstone pieces, Bruce used a lot of butt joints between walls that would look funny with regular gothic blocks.

I used Bruce’s plans as a starting point and made up the rest as I progressed. All of the corners had to be joined like a regular building so that the blocks would be properly staggered. Some of the arches could be replicated, but others had to be fabricated with extra “little” bricks glued on. One final vexation was the bit I chose as the top and bottom of the columns. It was a piece from the Gothic Church that, too bad for me, was only on the mold once. So, I had to cast that little piece about 2,000,000 times to finish the project.

The part I thought would be fun (but wasn’t so much) was ruining blocks for the top edge. They were carved up easily enough with an Exacto knife or box cutter, but I fussed endlessly to get it to look like “natural” destruction.

Bruce added a tree to the little well/pool in the courtyard, which looked suitably dramatic and spooky, but I thought it might make it hard to maneuver figures in an already cramped space. I opted for some stones and murky water.

When I set to work on the base, it hadn’t occurred to me that I could’t really do the “gothic” gray paint job, as that was how I had painted the tower. So, I used his “earth tones” — the colors he uses for fieldstone buildings. I don’t love it for stone, but I needed some contrast. I also wasn’t convinced by his tutorial on how to carve foam to look like rocks. I did a bit under the tower itself, but the rest in my usual, hurried manner. In the photographs, I don’t mind his method, though, so I may try it again in the future.

I did finally get the fieldstone mold for Christmas (but not the one with the ruined bits, so I still can’t do the original tower), so you might notice I added the skulls. I’m not sure if they are quite the thing, but… One might spy a gargoyle perched upon the column to the right of them. Him, I like.

All it needs for completion is some drab greenery. I’ve got suitable flock; Bruce used “coarse turf,” which I have too, but mine is bright and cheery and would ruin the mood. I’ll get the right stuff and then decide.

In the final shots, it appears that the tower has been garrisoned by the self-same jaundiced goblins who debuted on this blog a few weeks ago.

IMG_1061

Goblins of the Old School

I submit this little vignette as confirmation that I completed another dozen Bones — “Dungeon Attack” goblins, this time; compadres of the kobolds I knocked out last week.

IMG_0425Following Chris Palmer’s lead, I eschewed green and sought guidance from my venerable 1/e AD&D Monster Manual: “Goblins range from yellow through dull orange to brick red in their skin color.” Chris chose orange, so I bit for yellow.

I used a limited palette of midnight blue for the clothes, yellow skin, brick red for the Hittite hats, and gold for the weaponry. (For some reason, all my bad guys wield gold, while the good guys prefer silver…). So, when they all showed up for a skirmish in my gothic dungeon, they were particularly irascible because they had all worn the same dress. Oh, well… at least one can see they’re all on the same team.

I’ll also make mention that I’ve gone almost entirely over to craft paints now. I have a post percolating concerning my evolution as a mediocre painter. The short version is that I used to be a so-so painter using expensive paints, now I’m a comme ci comme painter using paint I buy at Walmart.

Paint Table Saturday + 24

Here’s the paint table as of yesterday. A frenetic hodgepodge mirroring the mind of the painter (but not really in that good creative way, more’s the pity).

Scattered about you see several Hirst Arts pieces in various states of completion. The kobolds from earlier could still be found still skulking about, four or so rebased Heroclix, and the primed chaps and chapettes to the right are Foundry Darkest Africa.

Loitering Kobolds

Though a week late in appearing, here you see here the culmination of my winter break’s industry. Another set of Reaper Bones painted — a dozen kobolds up to no good, no doubt.

Dwarfstar Games

If you harbor a hankering to interact physically with the past greatness I mentioned yesterday, you could begin by visiting Dwarfstar Games.

In ’81 and ’82 you could ride your Schwinn to the FLGS (J&S Hobbies, Bloomington, MN in my case) and find these little boxed gems ready to be traded for currency. Through the wonder of the internet and the generosity of Reaper Miniatures, you can download, print, and play these beauties, thirty years on down the road.

Barbarian Prince, Demonlord, Dragon Rage, Goblin, Grav Armor, Outpost Gamma, Star Smuggler, Star Viking… they’re (nearly) all there — Lewis Pulsipher’s Dragon Rage has been re-done and is back in print (though, I will say, I prefer the look of the original map; oh, well…).

Still, that’s seven classic microgames available to download freely and recreate for the cost of your ink, paper, and time.

Hexographer

Hexographer is the thoroughly wonderful program I used to create the map in my header. It comes from the mind of Joe Wetzel at Inkwell Ideas, who also has programs for mapping dungeons (Dungeonographer) and, thanks to one of those successful Kickstarters, entire cities (Cityographer). The programs are Java-based, therefore platform agnostic, free for a basic version, and reasonably priced for an upgrade.

Microtactix

Microtactix was on the leading edge of creating terrain for wargames and RPGs that you could download immediately and print on cardstock. The company has been quiet for some time (viz. the moribund Microtactix website), but a plethora of products remain for sale at RPGNow.

The early buildings, such as Vulture Gulch, are primitive by today’s standards — they’re just line-drawn and you have to color them in yourself(!) Yet, they’re not correspondingly inexpensive…

“Newer” sets such as Twilight Street (added 10 years ago) are fully colored and useful. I have many, many of these sets and retain a fondness for carefully assembling cardstock buildings.

 

Page 4 of 4

Powered by WordPress & Theme by Anders Norén